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Fans crowd surf to Irish punk band Flatfoot 56 at Audiofeed Festival in Urbana, Illinois. Photograph: KC McGinnis

God and metal: scenes from a hardcore Christian music festival

This article is more than 6 years old
Fans crowd surf to Irish punk band Flatfoot 56 at Audiofeed Festival in Urbana, Illinois. Photograph: KC McGinnis

Photographer KC McGinnis went to Audiofeed, a Christian rock and metal festival, to revisit his roots. He found a surprising cross section of believers, incredibly loud music and a serious rock attitude

by KC McGinnis at Audiofeed, Illinois

At the beginning of July, I photographed Audiofeed, a Christian rock and metal festival in Illinois.

This was a bit of a reunion for me. As a teenager growing up in the evangelical subculture, I was a huge fan of Christian hard rock and metal in the early 2000s. The music helped me feel adventurous and unique, and it was an important way for me to craft an identity. I lost track of the scene after going to college, but I never stopped enjoying the music.

Since 1984, every Christian punk’s dream was to play at a festival called Cornerstone – a weeklong bohemian campout commonly likened to a Christian Woodstock. Cornerstone went defunct in 2012, and Audiofeed is in part an attempt to reunite the Cornerstone crowd, some of whom have moved on from Christian rock or from evangelical Christianity altogether. One of this year’s headliners, David Bazan, is a vocal ex-evangelical.

I came to this festival to get a clearer picture of what the next generation of post-culture war evangelicals will look like. A veteran of the festival recalled the days he couldn’t wear his Slayer T-shirt in church. Attending this festival made me wonder what kinds of things the current generation of evangelicals may be more tolerant of in, say, 20 years.

What I found was a surprisingly diverse cross section of evangelicalism: a predictable share of conservatives and charismatics, but also a vocal contingent of progressive evangelicals, including a transgender teen who claims to have both come to Christ and come out as trans at this festival. I also found many who have left the faith but who still see members of the Christian hardcore scene as their closest family.

Photograph: KC McGinnis

“You know how people describe home? I never felt that until going here.” Landon, a 17-year-old transgender teen, watches as Dave Bazan performs. Landon said he came to Christ in a mosh pit at Audiofeed in 2015, and came out as transgender at Audiofeed in 2016. Bazan, one of the festival’s headliners, is a vocal ex-Evangelical.

Photograph: KC McGinnis

Festival goer Alic drinks a beer in a makeshift pool in a pickup bed. The party was later broken up by security; Audiofeed is an alcohol-free festival.

Photograph: KC McGinnis

“Sometimes I don’t want to tell people I’m Christian because of what it represents.” Heather Vaught plays with her daughter, Maybelle. Vaught’s southern Baptist church in Evansville, Indiana, hosts punk shows in its basement.

Photograph: KC McGinnis

Tripp Durden shows off some of his tattoos.

Photograph: KC McGinnis

A fan takes a selfie with Christian metal band Grave Robber.

Photograph: KC McGinnis

“I thought being Christian gave me a chance at family. Now I feel like I was exploited for my emotions.” Chris Lane performs with hardcore band Headrush at an impromptu stage. Lane left his evangelical faith in 2012, but continues to see the Christian hardcore scene as family.

Photograph: KC McGinnis

A member of the Blood & Ink record label gets dunked in a dunk tank.

Photograph: KC McGinnis

Lucas Wright washes makeup off of his face.

Photograph: KC McGinnis

Donnie and Nancy Loughney of Akron, Ohio, pose for a picture. The Loughneys have been attending Christian hardcore and metal festivals since the 1980s.

Photograph: KC McGinnis

Rachel Wolgamuth of Grand Rapids, Michigan, holds her daughter Stella.

Photograph: KC McGinnis

Sunlight leaks through a tent wall.

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