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The eponymous hero of Carlos Saldanha’s ‘gently subversive’ Ferdinand
The eponymous hero of Carlos Saldanha’s ‘gently subversive’ Ferdinand. Photograph: AP
The eponymous hero of Carlos Saldanha’s ‘gently subversive’ Ferdinand. Photograph: AP

Ferdinand review – gently subversive animation

This article is more than 6 years old

A flower-sniffing bull goes on a journey of self-discovery in this fun adaptation of a 30s children’s book

Based on Munro Leaf and Robert Lawson’s 1936 children’s book The Story of Ferdinand, this gently subversive Madrid-set feature from animation studio Blue Sky and frequent collaborator Carlos Saldanha (the Ice Age films, Rio) follows an adorable, flower-sniffing bull named Ferdinand. “Is it OK if that’s not my dream?” the baby bull asks his father of fighting. When he discovers that he has no choice, Ferdinand scarpers, hoofing it to a flower farm, where he befriends a human girl and her shaggy sheepdog. Ferdinand’s passivity (and flower obsession) isn’t explicitly coded as queer, though the film hints that this might be the case.

Either way, Ferdinand celebrates his mild temperament and non-confrontational masculinity, which remain unchanged as his bull’s body grows resplendently large. The adult Ferdinand (voiced by WWE superstar John Cena) ends up causing a ruckus at a local flower fair (and offers viewers a very funny scene in a china shop) and so is carted back to the ranch he came from. Other fun characters include a neurotic, calming goat voiced by Kate McKinnon, a trio of bitchy German horses with swishy pastel manes, and mischievous, pilfering hedgehogs Uno, Dos and Cuatro (“We do not speak of Tres”).

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