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Terry O’Neill , the photographer who chronicled the people and events of the swinging Sixties, has died aged 81.
O’Neill had been diagnosed with prostate cancer and was last seen in October at Buckingham Palace receiving a CBE for services to photography . The honour was presented to him by Prince William, the Duke of Cambridge.
A spokeswoman for Iconic Images said: “It is with a heavy heart that Iconic Images announces the passing of Terence ‘Terry’ O’Neill, CBE.
“Terry was a class act, quick-witted and filled with charm. Anyone who was lucky enough to know or work with him can attest to his generosity and modesty.
“As one of the most iconic photographers of the last 60 years, his legendary pictures will forever remain imprinted in our memories as well as in our hearts and minds.”
Show all 12 1 /12The Beatles’ studio albums ranked in order of greatness The Beatles’ studio albums ranked in order of greatness 12. Yellow Submarine (1969) Not as bad as popular myth would have it, nevertheless, the soundtrack to the band’s animated movie is the one Beatles album that comes closest to a “file under – for completists only” rating. The best-known songs – “All You Need Is Love” and “Yellow Submarine” are available on innumerable compilations, and of the four new songs, only Lennon’s raw and menacing “Hey Bulldog” hits the mark.
The Beatles’ studio albums ranked in order of greatness 11. Beatles For Sale (1964) With three albums, a clutch of classic singles, a landmark movie and a hectic touring schedule including their conquest of America to their name, a weary band retreated to Abbey Road to record their fourth album in less than two years. The results were variable on a covers-heavy set with folk and country influences on some downbeat but effective originals such as “No Reply” and “I’m a Loser”, while “Eight Days a Week” represents the pinnacle of the Lennon/McCartney writing partnership before they began to write less and less together. However, with too much filler and some perfunctory covers, Beatles For Sale hasn’t stood the test of time as well as any of their other 1962-1966 (“The Red Album”) era long players, resulting in its low position here.
The Beatles’ studio albums ranked in order of greatness 10. Let It Be (1970) The messy break-up album recorded under trying circumstances contains a few tracks I would be happy never to hear again but any album that includes “Get Back”, “Let It Be”, “The Long and Winding Road” (with or without Phil Spector’s ethereal choir and strings which McCartney hated), and Lennon and McCartney harmonising together for the first time in years on “Two of Us“ has to have something going for it. Ultimately, therefore, Let It Be proved something of a sad but not entirely unworthy epitaph for the greatest pop group ever.
The Beatles’ studio albums ranked in order of greatness 9. With the Beatles (1963) Between their first and second albums The Beatles had three No 1 singles – “From Me to You”, “She Loves You” and “I Want to Hold Your Hand” – but the temptation to include any of them on their second long-player was resisted. However, with 14 tracks on With the Beatles, the band couldn’t be accused of not giving value for money, even if it duplicated their first album with six covers, including several impressive nods to their love of Motown on “Please Mr Postman”, “You Really Got a Hold on Me” and “Money”. Elsewhere, George, who surprisingly has three solo vocals on the album, as many as Paul, tears up “Roll Over Beethoven” while McCartney’s “All My Loving” is still one of the group’s most loved early songs. It’s an album largely dominated by Lennon however, and he excels on “It Won’t Be Long” “Not a Second Time” and the aforementioned “Money”.
The Beatles’ studio albums ranked in order of greatness 8. Please Please Me (1963) The tone of the thrilling debut that launched the Fab Four into pop music history is set by Paul on the opening track as he counts in “I Saw Her Standing There” (“One, Two, Three, Four!”). Lennon’s justly lauded, throat-tearing version of “Twist and Shout” bookends the album and in between there’s a mix of originals and covers including a fine Harrison vocal on “Do You Want to Know a Secret” and the first two hits “Love Me Do” and the euphoric title track as the band struck up an immediate rapport with producer George Martin, even if George (Harrison) didn’t like his tie. Almost half the 14 tracks were cover versions, and as such, Please Please Me is an undeniably raw, but breathless and brilliant rush through the band’s live act of the day, with Ringo proving conclusively that he was the right man for the job. It also points to the future of pop music as acts more and more began to write their own material, and remains one of the great debut albums.
The Beatles’ studio albums ranked in order of greatness 7. Help! (1965) A tie-in with the band’s second film, Help! was a considerable improvement on previous album Beatles For Sale, and in truth is a bit of a mixed bag, but the best songs are very good indeed, rising to classic status with “Ticket to Ride”, McCartney’s “Yesterday” – the ultimate Beatles standard – and the title track, which was Lennon’s very real cry for help. Bob Dylan’s influence permeated Lennon’s superb “You’ve Got to Hide Your Love Away” and McCartney’s countrified “I’ve Just Seen a Face” rolls and tumbles sumptuously, and then there’s the bittersweet “You’re Going to Lose That Girl” – a cavalcade of riches that emphatically compensate for some of the lesser tracks on show.
The Beatles’ studio albums ranked in order of greatness 6. A Hard Day’s Night (1964) Partly the soundtrack of their first movie which amounts to their first quantum leap with all 13 tracks penned by Lennon and McCartney. The Beatles’ third album was light years ahead of the opposition in their homeland in 1964, from the moment it announced itself with the epochal opening chord on George’s new Rickenbacker 12-string on the famous title track. Lennon sang or composed the bulk of the songs, with “I Should Have Known Better” and “I’ll Be Back” particular highlights, but McCartney owned three of the most lustrous jewels in “And I Love Her”, “Can’t Buy Me Love” and the band’s most sophisticated song to date, “Things We Said Today”.
The Beatles’ studio albums ranked in order of greatness 5. Rubber Soul (1965) The Beatles entered their seminal middle period with another seismic leap in quality with their first true masterpiece which, although influenced by soul and Dylan, proved so influential itself that it spurred contemporaries such as Brian Wilson to hitherto unimagined heights. The quality control barely lapsed over the fourteen tracks with the band never tighter than on the opening “Drive My Car” and then the innovations flowed. Harrison's sitar on Lennon's sublime confessional ”Norwegian Wood (This Bird Has Flown”), double-tracked vocals on several tracks, fuzz bass on Harrison's “Think For Yourself”, which along with ”If I Needed Someone” demonstrated that Harrison had arrived as a songwriter of note, and who can forget Lennon's intake of breath on the superlative “Girl”? McCartney tossed off another standard in ”Michelle”.
The Beatles’ studio albums ranked in order of greatness 4. The Beatles (1968) The sprawling “White Album” was recorded in an atmosphere of tension and strained relationships as the group disintegrated, yet somehow a work of great quality emerged, even if it was the product of the four individual members pulling in different directions. There’s little cohesion here in the scattershot mix of styles, just a lot of great songs interspersed with some not so great songs, and some rubbish. With 30 tracks, there is much merit in the oft-repeated claim that with some judicious pruning, The Beatles could have been the greatest single album of all time. A snapshot of just some of the great songs includes McCartney’s “Blackbird”, “Helter Skelter”, “Back in the USSR” and “Birthday”; Lennon’s “Julia”, “Dear Prudence”, “Happiness is a Warm Gun” and “Revolution 1”, while Harrison’s stellar contributions include “While My Guitar Gently Weeps” and “Long, Long, Long”. With that quality, single album or not, it would still have to be a heck of a long album.
The Beatles’ studio albums ranked in order of greatness 3. Sgt Pepper's Lonely Hearts Club Band (1967) Five decades and more since its release, Sgt Pepper, with its “band within a band” concept and drugs-influenced vibe still reigns imperiously as the most famous pop record ever made. It may now not be considered the greatest album ever recorded, or indeed the greatest Beatles album, but with George Martin at the peak of his powers and the band now retired from touring, they were able to hone their mastery of the studio. Sgt Pepper remains a piece of art that in terms of experimentation, innovation and influence has rarely, if ever, been bettered. It contains some of the band’s most-loved songs – “With a Little Help From My Friends”, “Lucy in the Sky with Diamonds”, a genuine masterpiece for the ages in “She’s Leaving Home”, and their greatest, “A Day in the Life”, but overall, the album’s greatness lies in the old cliche of the sum being greater than the parts.
The Beatles’ studio albums ranked in order of greatness 2. Abbey Road (1969) With Let it Be in the can but not yet deemed fit for release due to the fractious nature of the recordings, Abbey Road was chronologically the last Beatles album to be recorded. Fittingly, although many of the tracks were the products of the individual members, Abbey Road reunited the band for one last magnificent stand. Abbey Road is justly celebrated for the McCartney-led 16 minute medley on side two commencing with “You Never Give Me Your Money” and concluding beautifully and with appropriately with ”The End”, but it's also a side that begins with Harrison's “Here Comes the Sun”.
The Beatles’ studio albums ranked in order of greatness 1. Revolver (1966) For a good number of years, Revolver lay in Sgt Pepper's shadow - universally admired to be sure, but somehow a little harder to love than previous simpler pleasures and Pepper itself. Part of that may be due to the mind-blowing eclecticism and scale of ambition of the album, which all these years later still astounds. The influence of drugs, psychedelia, and Eastern religion came to the fore on Revolver with double-tracked guitars, reversed tape loops, varispeed and various sound effects as the band, with George Martin an equal partner, fully explored the boundless sonic possibilities of the studio.
O’Neill photographed some of the world’s most legendary stars and public figures, from Audrey Hepburn to David Bowie , Elton John, Winston Churchill and Frank Sinatra.
He also shot members of the Royal Family, including the Queen. Among his most recent works was an image of Amy Winehouse at the height of her fame in 2008.
O’Neill photographed Amy Winehouse at the height of her fame in 2008 (Getty) (Getty Images) It was Bowie whom O’Neill described as his “creative muse”, and whose ever-shifting artistry he captured over two decades – from Ziggy Stardust to the Thin White Duke.
O’Neill referred to the late artist as “charming and warm” in a recent interview with The Guardian.
“I treated David like a Shakespearean actor, as you never knew who was going to show up,” he said “He could look alien-like or female-like; it was always so exciting as everything he did was so unpredictable.”
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Sign up He claimed that when he first arrived on the cultural scene of the Sixties, the media was not interested in capturing the flourishing arts movement taking place.
After being asked to photograph a “little band” called The Beatles at Abbey Road, he found work with the Rolling Stones.
“I could go out and create my own world,” he said. “There was no other time like it.”
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