After conquering the big screen, Hollywood stars are taking over audiobooks
Tom Hanks (L) and Emma Thompson have both lent their voices to audiobooks. Image: AFP/Angela Weiss, Valerie Macon
As the audiobook market has been booming these past few years, a growing number of actors are lending their distinctive voices to the audio adaptations of our favorite books.
While Deloitte predicts that the global audiobook market will generate $3.5 billion in 2020, publishers are increasingly willing to spend five-figure sums to attract big-name narrators such as Stephen Fry, Emma Thompson, Reese Witherspoon and Tom Hanks.
Among them are also former First Lady Michelle Obama, who collaborated with the Amazon-owned Audible for the audio adaptation of her bestselling memoir “Becoming”.
The 19-hour-long audiobook notably won the award for Best Spoken Word Album at the 2020 Grammy Awards.
With all forms of audio storytelling soaring in popularity, publishers are mounting hugely ambitious productions with star-dubbed ensemble casts and unique soundscapes to appeal to audiobook listeners.
For instance, Penguin Random House Audio has enlisted a record-breaking number of 166 narrators to record the audio adaptation of George Saunders’ Booker Prize-winning “Lincoln in the Bardo”.
Among them were A-list talents such as Ben Stiller, Don Cheadle, Rainn Wilson, Julianne Moore, Megan Mullally, David Sedaris, Keegan-Michael Key and Nick Offerman.
“I love the idea that by casting actors and non-actors. We were able to simulate that ‘I hear America singing’ notion,” Saunders said of the award-winning audiobook, which he also narrated.
More recently, Audible has enlisted award-winning British writer Dirk Maggs to direct the first-ever audio adaptation of Neil Gaiman’s “The Sandman”, which will be narrated by the author himself alongside a star-dubbed cast.
Academy Award-winning composer and musician James Hannigan is also involved in the multi-part original audio drama series, whose first installment will be released on July 15.
“Almost 30 years ago, Dirk Maggs approached DC about adapting ‘The Sandman’ into audio form. It didn’t happen (although it was how Dirk and I first crossed paths) and I’m glad it didn’t happen, because we are in a Golden Age of audio drama right now, and Dirk and I are much better at what we are doing,” Gaiman said of the project in a statement.
While audiobook companies are often turning to classic titles for their new audible projects, some are also betting on original works to reach out to new audiences through audio.
World-renowned writers James Patterson, James Taylor, R.L. Stine, Meghan McCain and Phillip Pullman have all written original works for Audible in recent years.
“I’m particularly looking forward to building stories specifically for the listening experience — the spin of a tire wheel, the gravel in a villain’s voice, the note of triumph in a detective’s final words as he closes a case-all performed by gifted, top-tier talent. Audiences have been flocking to the audio arena, and I can’t wait to explore and innovate in a different medium,” Patterson said of his forthcoming slate of audio-only Audible Original projects. CL
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